Friday, May 11, 2012

Use Lighting In My Photographs

Still cameras, either digital or film, allow a user to capture a moment in time and share the photograph with the world. While the type of camera used directly relates to the quality of images, lighting is perhaps as important or more. Proper lighting makes a difference between a decent photograph and a visually stunning picture. A three-step lighting technique is used by professionals and does not require extensive lighting knowledge to implement.


Instructions


1. Establish a main light, also known as a key light. The key light is the brightest light, and is the main light source when illuminating a subject. Place the key light on one side of the subject; do not position directly in front of the subject. Manipulate the height of the key light until you find the best position.


2. Position the fill light on the opposite side of the subject. The purpose of the fill light is to reduce or remove shadows created by the key light, thus its position opposite the key light is crucial. The brightness level of the fill light is half that of the key light. Play with the height and angle of the fill light until you are satisfied with its coverage.


3. Place the back light close to the floor directly behind the subject. Angle the light beam up toward the top of the subject to highlight the top portion of the subject or place the light directly behind the subject to create a brighter glow behind the subject. The purpose of the back light is to separate the subject from the background, which is important when shooting both indoor and outdoor photographs. The intensity and color of the back light depends on the goal of the photograph; however, the back light is typically half the brightness level of the fill light.


4. Take multiple practice shots and review the photographs. Tweak the placement and brightness levels of all three light sources until you are satisfied with the results.







Tags: fill light, back light, behind subject, brightness level, brightness level fill, directly behind, directly behind subject